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Its popularity reached a point of what the Indian news magazine India Today called Ramayan fever, where religious services were rescheduled, buses, trains, and inter-city trucks were stopped, and shops would close every Sunday at 9:30 a.

So that people would gather to watch the show.

In villages, watching the show became a religious ritual unto itself.

The shows popularity would remain the highest in history until a few years later, when (1988), also based on an ancient Hindu epic, would exceed its popularity.

When Ramayan aired, India (even then having a population over 900 million) came to a standstill.

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Buses stopped running, religious services (Hindu and non-Hindu) were rescheduled, and everyone stopped what they were doing for 30 minutes every Sunday morning to watch the ancient Indian epic brought to life on television.

Its hard to believe that something like that is possible, but it really happened.

Despite being dismissed by some as a cheap production with garish sets, cheesy special effects, and melodramatic dialogue, Ramayan was and continues to be a phenomenon.

Tollywood director Bapus Seeta Kalyanam a.k.a.

Seeta Swayamvar shows a much better production, even though it, too, was low-budget.) Some of the same actors are used repeatedly for various minor roles and voices.

But, what Ramanand Sagar (who, in my opinion, is otherwise a mediocre filmmaker) has done here is spectacular.

Despite all of the above, Ramayan works incredibly well because one can sense that a great deal of devotion went into making it.

The dialogue might sound melodramatic to some (and sometimes it is), but the script is extremely faithful to the original texts that it is based off of.

Sometimes, lines are directly quoted from Valmiki or Tulsidas and translated into Hindi.

Ramayan takes very little dramatic license and so what is presented on screen is an accurate presentation of the source texts.

Aye Batan Aye Batam Hum Ko Teri Kasam Song Series And Get

This gives Ramayan value not only to devout Hindus but also to students of Hindu religion and Indian epic poetry, both of whom can watch the series and get a good understanding of the works of Valmiki, Tulsidas, and others.

The feeling conveyed in the television series is the feeling conveyed from a recital of the epic itself.

What also helps this series tremendously is the music by Ravindra Jain.

Indian storytelling in general (both in film and in religious sermons) has a tradition of mixing dialogue with songs.